![]() I've been a long-time user of Scrivener, and what can I say - V3.0 is an amazing amazing update. It certainly never had a crash that lost work, those things I don't forget. PS If it ever crashed, I don't remember it happening. I can't think of anything that glows more than that. In fact, there's your review: Scrivener makes an aspect of writing kind of fun. Now, I kid you not, it's actually kind of fun. Getting my manuscript in order used to be a nightmare. re-arrange, and re-re-arrange to your hearts content all via drag and drop. You can chop your manuscript into chapters, scenes, paragraphs, sentences, LETTERS and arrange. Basically, if you write out-of-order like myself, Scrivener is your new best friend. but we deviate from that with one very important aspect organization. Thus far, I've only mentioned things that were possible with BBEdit, just easier with Scrivener. And unlike many programs that do a lot, Scrivener manages to keep a clean, intuitive interface (even though it comes with a tutorial, I managed to figure out everything I wanted out of it with little to no fuss, and no tutorial). Unlike BBEdit, I didn't have to lift the hood to make Scrivener do anything because it did it all already, In fact, it does so much that the $50 price tag that seemed a little steep, now seems like an incredible bargain. The lesson here is, if something seems to be ubiquitous, there's probably a very good reason. Be it playwrights, novelists, scriptwriters, or technical writers, it seemed that everybody used it. Still, a friend urged me to try out Scrivener, the seemingly ubiquitous writer's app. The combination of the glossary and hot-keys meant I could make it do whatever I needed it to, quickly. Up until about a year ago, the only writing app I used was BBEdit. ![]() Sparkle (used for automatic updates) updated to v2.4.įull list of changes available here View older Scrivener updates. ![]()
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![]() ![]() ![]() The game has been in development since 2014, which if it were to come out in 2024, would mean that development will take ten years, a time period in which Rockstar has gone through some dramatic changes. Although some interviewed believed that the game would not hit that window, and would release no sooner than 2024. The report includes the details that the game will still be quite large, with more interior locations than previous GTA games, and that the developer will be adding additional cities and content over time.īut when can you play it? Some developers on the team told Bloomberg that it will be released sometime in publisher Take-Two’s fiscal 2024, which runs from April 2023 to March 2024. However, the scale of the game has been reduced over time, and will be set in the universe’s fictional depiction of Miami Vice City. The game has an internal codename, Project Americas, as it was initially meant to feature large swaths of the American continent. No word on whether players will get to play as the other character in pairing. This character will be a part of a pair of leads that are meant to be influenced by Bonnie and Clyde, the real life couple that went on a bank robbing spree with their gang during the Great Depression. Firstly, let’s talk about the contents of the game itself.īloomberg reports that the game will feature a Latina character, making this the first playable woman in a GTA campaign. All this on today’s GameSpot News.Ī report from Bloomberg’s Jason Schreier gives us the biggest info dump for Grand Theft Auto VI that we’ve ever gotten, both for details on what to expect in the game, as well as behind-the-scenes at Rockster on its development. GTA VI Characters, Setting, And Other Details Leak | GameSpot Newsīloomberg gets a big scoop on important Grand Theft Auto VI details, PlayStation Plus' August games are revealed, and Knight of the Old Republic Remake indefinitely delayed.īombshell news for GTA VI, your PlayStation Plus games for August, and some disappointing news for the Knights of the Old Republic remake. It is the option of the most popular activator named AMTEmu 2020 which is invented by the Russian Developer PainteR. Adobe Zii Patcher 5.3.3 Crack 2020 Universal Adobe CC Patcher for Mac is an device to introduce Adobe Products for the Mac OS. It's another popular name is Universal Adobe Patcher (UAP) within people. It is a Unique and best tool ever for lifetime activation of all the Adobe Products. AMTEmu is a Device which is Familiar to activate Adobe Products. Adobe Zii Patcher 2021 latest Version Link: Click here Adobe Zii Patcher 2020 latest Version Link: Click here Adobe Zii 2019 Version Link: Click here Adobe Zii Old Version Link: Click Here Why and When you should use DRAG instead of PATCH? Once you click on PATCH button, all existing Adobe apps will be patched again. #Continue the build where the HTTPS Connections are madeĪdobe Zii is a small and great utility which helps you forget about all issues with the registration of all Adobe existing products. RUN if then echo 'production env' else echo 'non-production env: BUILD_ENV' CERT_DIR=(openssl version -d | cut -f2 -d ')/certs cp /tmp/ZscalerRootCertificate-2048-SHA256.crt $CERT_DIR update-ca-certificates fi #Use BUILD_ENV variable within the container to copy the CA certificate into the certificate directory and update ![]() #Assign the $BUILD_ENV the BUILD_ENV ENV so that it can be accessedĪDD src/ZscalerRootCertificate-2048-SHA256.crt /tmp/ZscalerRootCertificate-2048-SHA256.crt #Image runs internet requests over HTTPS – Install Certs if dev environment ![]() RUN dotnet publish -c Release -o /out WebRequests.csprojįROM /dotnet/core/runtime:3.0.0-preview9 #No need to install certificates here – no Internet requests made To conclude, WeatherSnoop is a versatile software solution that can connect to your weather station in order to display the recorded weather information in an user friendly manner, and allows you to export the data for further processing.FROM /dotnet/core/sdk:3.0.100-preview9 AS builder WeatherSnoop constantly monitors the value changes for all available parameters and offers you the possibility to view the historical records in an easy to read graph.Īll the recorder information is stored in an SQLite database, even if your Mac is not running at the time: WeatherSnoop can retrieve the weather changes recorded by the stations while the computer was off.įurthermore, WeatherSnoop enables you to share this information in different formats: the parameter values can be exported as spreadsheets and processed in Numbers or Excel. 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View and monitor the weather forecast from your desktop ![]() The app analyzes the data and creates beautiful graphical representations that will help you better understand the conditions. 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Koya is a powerful multi-function and configurable Discord bot. ![]() WindowEvent defines behavior for (works with) the Close option on the frame menu.JFrame defines the top-level window including the window title and frame menu.ExampleProgram defines the program data and methods to work on that data.Each class has its own function and purpose as summarized below, and where appropriate, the classes are defined to work with objects of another class. The program code to place the text in a label to display it in a user interface uses a number of cooperating classes. This section changes the example program to display the concatenated character string in a JLabel component in a user interface to further illustrate the concepts of well-defined class boundaries and object cooperation. In the previous section, you saw how the System, String, and StringBuffer objects cooperated to print a concatenated character string to the command line. Well-Defined Boundaries and CooperationĬlass definitions must allow objects to cooperate during execution. The System class is never instantiated by the ExampleProgram class because it contains only static variables and methods, and therefore, cannot be instantiated by a program, but it is instantiated behind the scenes by the Java virtual machine 1 (VM). In the last example, four different String objects are created for the concatenation operation, text object, text2 object, and a String object created behind the scenes from the " that uses classes and objects" character string passed to the ncat method.Īlso, because String objects cannot be edited, the method converts the String objects to StringBuffer (editable) string objects to do the concatenation.īesides the String object, there is an instance of the ExampleProgram.java class in memory as well. There can be any number of objects of a given class in memory at any one time. I'm a simple Program that uses classes and objectsĪn instance is an executable copy of a class. This way, you can call a method such as the ncat method that adds text to the original string. If you want access to the String methods, you can rewrite the example program to create a String object as follows. During execution, the Java platform creates a String object from the character string passed to the call, but your program cannot call any of the String class methods because it did not instantiate the String object. In the example, you do not see an explicit use of the String class, but in the Java language, a character string can be used anywhere a method expects to receive a String object. In contrast, the class defines character strings. The class used in the example defines such things as standard input, output, and error streams, and access to system properties. ("I'm a simple Program") Ĭlasses in the Java platform API libraries define a set of objects that share a common structure and behavior. To help you gain a deeper understanding of object-oriented programming and its benefits, this lesson presents a very brief overview of object-oriented concepts and terminology as they relate to some of the example code presented in this tutorial. But mostly, you have been doing object-oriented programming without really thinking about it.Īnd that is one of the great things about the Java programming language. You already know a little about object-oriented programming because after working the example programs in Java Programming Language Basics, Part 1 and Part 2, you are somewhat familiar with the object-oriented concepts of class, object, instance, and inheritance plus the access levels public and private. And, if the Java programming language is your first experience with an object-oriented language, you are probably wondering what all the talk is about. You have probably heard a lot of talk about object-oriented programming. ![]() Moreover conflicting results have been observed on comparing modality specific (verbal and visuo-spatial) WM tasks. WM may begin to decline as early as the 30s, although initial decline may be slight. WM span has been found to increase upto the age of 20 years, followed by decline. Aging associated decline in WM is not uniform. Over the life span, WM increases at early development age and decreases with age in adulthood. However, visuo-spatial WM measure used jigsaw-puzzle task, corsi’s test. Amongst verbal working memory span tasks, the digit span task is most commonly used measures of immediate verbal recall, attentional capacity and in neuropsychological research and clinical evaluations. Therefore, much more data are available from verbal working memory tasks as compared to other measure of WM capacity e.g., visuo-spatial WM span tasks. These verbal tasks are considered as reliable and valid measures of WM capacity. Moreover these tasks require participants to listen and recall serially the digits or letters. Amongst WM span tasks, counting span, operation span, and reading span tasks, is widely used to measure WM capacity. Memory span is the maximum amount of sequential information an individual can remember accurately. Nearly all measures of working memory developed to date involved the measurement of span. Both are controlled and regulated by central executive. remembering shapes, colours and location. Whereas, visuo–spatial sketchpad temporarily store and manipulate spatial and visual information, e.g. Phonological loop temporarily stores verbal information and responsible for rehearsing verbal information and recycling to refresh the memory trace. This model described WM as a multicomponent system consisted of phonological loop, visuo–spatial sketchpad and central executive. Baddeley’s model has been regarded as gold standard in the area of WM research due to its ability to explain a majority of research data and its relative simplicity. Various theoretical frameworks have been proposed to conceptualize the WM. ![]() Although, WM active and relevant for a short period, but hold remembered stimulus “on-line” to guide behavior in the absence of external cues or prompts. Working memory (WM) is a capacity of an individual to maintain temporarily a limited amount of information in mind that support various abilities, including learning, reasoning, and preparation for action. ![]() Treading a fine line between engagement and satire, Cabaret of Calm, by Helen Duncan, pokes affectionate fun at the wellness industry and a long-haired Scott Galbraith is perfectly cast.Ĭeci n’est pas une chaise (this is not a chair), a solo choreographed by Xin Hui Ong in collaboration with performer Sarah Chaffey, makes the most of Chaffey’s athletic stage presence in combination with Azariah Felton’s cinematic score. ![]() ![]() Brent Rollins’s sentient printer is a winner in For Old Times Sake, but the work feels like too many ideas have been compressed into the allocated time (not a bad problem to have if you’re planning to develop a work further). The rest of the program contains some promising ideas. I’d rather see Richardson and Claus’s rich and rewarding work live. Though their short film The Silence Knew (shot on set during 2020’s “SITU-8” season), is beautifully filmed and edited by Fionn Mulholland, shadowy glimpses of Claus’s deep plies and slicing limbs feel taunting. Sally Richardson and Jacqui Claus are collaborators from way back and have produced award-winning work. Program A is a hard act to follow and half an hour later, “Short Cuts” Program B doesn’t feel quite as punchy. Sarah Chaffey gives an athletic performance in ‘Ceci n’est pas une chaise (this is not a chair)’. She’s accompanied by Matt Jones who uses electronics to accompany his own Theorbo, so that trickling notes have tinkling overtones and bellowing undertones. As always, Maslin is wonderful to watch and here we see her carving space, her legs scooping and circling through the air at first slowly and then faster and faster until she folds into a lake of paper. Talitha Maslin’s solo In to the Deep (pictured top) makes a sonorous conclusion to a strong program, both aurally and physically. The opening is particularly beautiful the pair stride from opposite sides of the stage until they meet in a pas de deux connected not by touch but by breath. Capturing the surges and retreats of the accompanying score – “Awe” by Roger Goula – the two dancers are somehow always in sync, even when they’re not. The highlight of the two programs, for me, is Jo Omodei’s As the Edges Soften, created and performed with Mitch Spadaro. Even when the lights are on she plays at the peripheries, inching along the wall behind the audience, using mirrors to reproduce her own body, and manipulate ours into the picture. As she speaks into the darkness, the outline of her moving body is only just discernible. Perhaps that’s what gives her solo the grounded confidence of a more developed work. Sofie Burgoyne describes Flat and down, and down and down, and flat as “an experiment” derived from “smaller parts of a much larger project”. In both these works there’s a kernel of something interesting, not quite germinated but promising. Recent WAAPA graduates Jessica Pettitt and Nadia Priolo follow, with Heighten or Hide, which starts out slow and serious but morphs into a pop driven parody, perhaps of reality-TV/esiteddfod inspired “lyrical” dance? Hard, by Cameron Landsdown-Goodman and Samantha Crameri-Miller, also teeters between humour and something darker with its monstrous armchair that chews and spits out its solo dancer (Landsdown-Goodman). In “Short Cuts” Program A we encounter golden nostalgia for a European past in Minni Karamfiles and Giorgia Schijf’s charming duet, Ignorance is (was) Bliss. Perhaps that’s caused by a kind of group fatigue – it’s been a gruelling couple of years for the performing arts sector and, with COVID ripping through Perth, a challenging time to be creating new work – but it made for soothing viewing. Presented in two programs of six works, this year’s offerings are characterised, in the main, by a sense of softness. The results are then presented at a studio showing.īy definition, each work or work-in-progress is short – 20 hours yields about 5-10 minutes – making each of the two “Short Cuts” programs pleasantly varied. It’s “Short Cuts” time again, and maybe you already know the drill?Įach year STRUT Dance gives a dozen or so local independent choreographers 20 hours each in a studio, to develop a new idea. ‘Short Cuts’: Program A and Program B, STRUT Dance ![]() ![]() He might have been thinking of the then not implausible theory of antibody formation in which antibodies were plastic and could adapt themselves to the molecular shape of antigens, and/or to the concept of "adaptive enzymes" as described by Monod in bacteria, that is, enzymes whose expression could be induced by their substrates. Good acknowledged he used the terms as synonyms but explained only that he preferred to use the term "adaptive". The term "adaptive" was first used by Robert Good in reference to antibody responses in frogs as a synonym for "acquired immune response" in 1964. Since the gene rearrangement leads to an irreversible change in the DNA of each cell, all progeny (offspring) of that cell inherit genes that encode the same receptor specificity, including the memory B cells and memory T cells that are the keys to long-lived specific immunity. This mechanism allows a small number of genetic segments to generate a vast number of different antigen receptors, which are then uniquely expressed on each individual lymphocyte. Second, V(D)J recombination randomly selects one variable (V), one diversity (D), and one joining (J) region for genetic recombination and discards the rest, which produces a highly unique combination of antigen-receptor gene segments in each lymphocyte. First, somatic hypermutation is a process of accelerated random genetic mutations in the antibody-coding genes, which allows antibodies with novel specificity to be created. The system is highly adaptable because of two factors. This acquired response is called "adaptive" because it prepares the body's immune system for future challenges (though it can actually also be maladaptive when it results in allergies or autoimmunity). In adaptive immunity, pathogen-specific receptors are "acquired" during the lifetime of the organism (whereas in innate immunity pathogen-specific receptors are already encoded in the genome). Sometimes the adaptive system is unable to distinguish harmful from harmless foreign molecules the effects of this may be hayfever, asthma, or any other allergy. Antigens are any substances that elicit the adaptive immune response. Antibodies travel through the bloodstream and bind to the foreign antigen causing it to inactivate, which does not allow the antigen to bind to the host. In antibody responses, B cells are activated to secrete antibodies, which are proteins also known as immunoglobulins. B cells and T cells, two different types of lymphocytes, carry out the main activities: antibody responses, and cell-mediated immune response. The cells that carry out the adaptive immune response are white blood cells known as lymphocytes. This process of adaptive immunity is the basis of vaccination. For example, someone who recovers from measles is now protected against measles for their lifetime in other cases it does not provide lifetime protection, as with chickenpox. Adaptive immunity can provide long-lasting protection, sometimes for the person's entire lifetime. Antibodies are a critical part of the adaptive immune system. Īdaptive immunity creates immunological memory after an initial response to a specific pathogen, and leads to an enhanced response to future encounters with that pathogen. Unlike the innate immune system, which is pre-programmed to react to common broad categories of pathogen, the adaptive immune system is highly specific to each particular pathogen the body has encountered. Like the innate system, the adaptive immune system includes both humoral immunity components and cell-mediated immunity components and destroys invading pathogens. Good and use by colleagues the explosive increase in the 1990s was correlated with the use of the phrase "innate immunity". The peak for "adaptive" in the 1960s reflects its introduction to immunology by Robert A.
![]() Because bass are having to track your bait in muddy water without the use of their eyesight, it might be best to use a consistent retrieve. In clear water, a stop and go retrieve is often the best way to get a bass to chase a bait and then eat it when the fleeing prey suddenly stops. In those situations, a solid blue, purple, or dark green may stand out better. On a sandy or relatively light-colored bottom, dark colors are going to stand out more than on mucky or leafy bottoms where the primary shade is black or dark brown. Much of this depends on where you are fishing. Bright pinks, oranges, chartreuse, and the like tend to draw and reflect better on sunny days than on dark days or in low sunlight situations.Įarly in the day or in cloudy conditions where there is not much available sunlight, dark colors tend to work better as a contrast against the background. The determining factor will be the amount of sunlight available to the fish when the angler is really wanting the fish to see the bait.īright colors work better in muddy water when they can reflect light back to the fish. In order to enhance the fish’s ability to see your bait, use colors on both ends of the color scheme – either bright colors or dark colors. In other scenarios, it might take the biggest, noisiest spinner blade to strike that cord that resonates with bass and convince them to strike.īecause anglers have trouble seeing down into the water from the surface does not mean that bass are completely blind when their environment turns muddy. In these situations, some vibration will elicit a reaction bite without blowing fish off the cover. Other factors such as barometric pressure can play into your noisy bait choices.įish in a neutral or negative mood may be put off by an overly loud bait busting through heavy cover. It’s much easier for bass to track a bait moving through the water using sensors located in their lateral lines if that bait is putting off erratic, noisy vibrations. Rattling crankbaits, spinnerbaits, and jigs with attached rattles are some of the first to come to mind. Make Some NoiseĪn additional means of increasing bites is to use baits that give off some, or more, vibrations that you would normally use in clearer water situations. This gives the fish both a sense of security and a way to orient to what’s around them, including anything that might be a potential meal. ![]() In muddy water, bass must rely on other senses to stalk prey, which makes them hold tight to cover. ![]() In clear water, the rubber band may stretch halfway to the surface or 10 yards left and right. In situations where bass rely on sight to hunt prey, the tendency to roam away from cover is greater. In order to consistently catch bass in muddy water, adopting a few muddy water strategies can help anglers find success. ![]() READ NEXT: Water Temperature Will Tell You Where to Locate Spawning Bass After several days of consistent muddy conditions, fish quickly adapt to the new environment and go about their lives. Muddy water is usually only a critical situation when a body of water rapidly changes from clear or at least not muddy, to extremely muddy following a heavy rain event. At first blush, muddy water is often viewed as an obstacle, however, there are times and situations when muddy water is not only a positive, it might be the only factor that stands between something in the livewell and just skipping weigh in altogether. When it comes to wind and rainfall, muddy water is not usually far behind. Cold water, high winds, rapidly rising and falling barometric pressure, and rainfall are all factors that must be faced at one time or another and dealt with. To be a successful bass angler means learning to adapt to changing conditions and being able to determine how those changes will affect the fish. |